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The 38th Parallel

by Kinematic

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    Immediate download of 12-track album in your choice of 320k mp3, FLAC, or just about any other format you could possibly desire.
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1.
2.
Carnivale 03:53
Don’t scream out now, from the faceless A silent shout, no you shouldn’t … Stand, don’t you stand, don’t you stand in this crowd Oh, don’t you stand, don’t you stand in this crowd Clear cut and drowned, like it’s bleeding Don’t make a sound, you know you couldn’t ... Stand, don’t you stand, don’t you stand in this crowd Oh, don’t you stand, don’t you stand in this crowd Run where you can, while you can Run where you can, while you can Embracing time ...
3.
Oregon 03:09
Don’t parade yourself, she said Don’t rise above yourself, she said We can see you well enough from here I can’t defend a single thing I can’t live out a single dream There’ll never be a train for me, from here Who can you turn to now? Who can you turn to now? And who knows you now Terrified of joy, she said Terrified of hope, she said Do I disappoint, talking this way? I’d like to go away, she said But if I can’t escape from here Will you turn and leave for me instead Who can you turn to now? Who can you turn to now? And nobody knows you now
4.
1964 03:13
I’m on the verge of something special I’ve got an album sleeve, black vinyl There’s magic here in mono tracks It’s what I need to take me back Oh, it seems to take me high, so high I'm going to believe to make it fine, so fine, I hear the stereo I’ve gotta hear that static silence I’ve gotta feel the warmth of vinyl Thirty-three, I switch to play It’s what I need to take me back Oh, it seems to take me high, so high I'm going to believe to make it fine, so fine, I hear the stereo It take me high, so high Going to believe to make it fine, so fine, I hear the stereo
5.
There is a constant background noise Frequency caught behind my eyes Calling to you, easing through you, I want to shake you down Falling for you, makes me want to keep both of us around Noise of the crowd has drowned you out The rate of the world is slowing down Calling to you, easing through you, I want to shake you down Falling for you, makes me want to keep both of us around Falling for you, easing through you ... falling for you everywhere now Calling to you, easing through you, I want to shake you down Falling for you, makes me want to keep both of us around Falling for you, easing through you ... falling for you everywhere now
6.
In Between 02:30
Always the last one left, always the last one trying And when it gets too much, I never let it go Ah, I'm trying, ah, I'm still ... I believe I can like everyone else I want to stay in between I don’t need you knowing ‘bout everyone else I want to stay in between Always the first one out of any confrontation And when it gets too much I try to play it slow Ah, I'm trying, ah, I'm still ... I believe I can like everyone else I want to stay in between I don’t need you knowing ‘bout everyone else I want to stay in between, in between I don’t need you knowing ‘bout everyone I don’t need you knowing
7.
Triage 03:05
Turning it over, like the year you changed There is a moment that puts you right in the frame I should leave, I should leave, you told me It will be, sooner or later Fade away, falling through an open stage Either way, I’m in triage, I’m just breathing Come into focus with the blink of an eye Do you need a reason, or maybe an alibi? I should leave, I should leave, you told me It will be, sooner or later Fade away, falling through an open stage Either way, I’m in triage, I’m just breathing Not today, timing isn’t feeling right Either way, all of us will soon be leaving Even when it’s gone astray, even when you know it’s coming Fade away, falling through an open stage Either way, I’m in triage, I’m just breathing Not today, timing isn’t feeling right Either way, all of us will soon be leaving
8.
You're there, watching and waiting Across from me at the station Wonder if I should go your way Finger marks on the window Leave me a trail to follow Always watching and waiting for you When will I see you, when will I see you, today Shall we see where it takes us, all the better to make us I know there's something weird right here Subway, love and graffiti Footsteps echo around me Wonder why everyone looks my way And then I see you waiting Once more, down at the station Ask why we find ourselves back here When will I see you, when will I see you, today Shall we see where it takes us, all the better to make us I know there's something weird right here Sadly, I’m gonna waste it, all the better to break us I know there's something weird right here Take back everything I did, take back everything I said When will I see you, when will I see you, today Shall we see where it takes us, all the better to make us I know there's something weird right here Sadly, I’m gonna waste it, all the better to break us I know there's something weird right here
9.
I am going I don’t know where, I could be gone some time Parallel the northern highway, hiding on the coast a while And we start over again, and we’re as good as we get Lingers like a common nightmare, waiting on a grey horizon Shuffle through unwanted pages, hoping on a change in season And we start over again, and we’re as good as we get
10.
Celluloid 03:29
Have I time to make you sigh, innocent the naked eye But the moment passes by, frozen to the celluloid Oh, what if only I was a memory? Oh, breaking slowly, oh, breaking slowly, slowly ending And if our eyes happen to meet, will we turn or skip a beat Will we call ourselves complete, spell it out in celluloid Oh, what if only I was a memory? Oh, breaking slowly, oh, breaking slowly, slowly ending Oh, what if only I was a memory? Oh, breaking slowly, oh, breaking slowly, slowly ending
11.
Fill the quota guarantee, it’s all I need to make the team Waiting by a phone and thinking, take a call that gets me drinking I don’t wanna listen, I don’t wanna mess you up I don’t wanna a mix up Love when things don’t go as planned, could be the time to show my hand I don’t wanna listen, I don’t wanna mess you up I don’t wanna a mix up I don’t wanna listen, I don’t wanna mess you up I don’t wanna a mix up
12.
How you managed this, you asked me, if I would Now and then in time, it feels like I know it could Are you leaving, are you leaving? And you'll soon be, you're taking all you should Don’t pretend it's right when I can see how it is Now and then in time it feels like I know it should Are you leaving, are you leaving? And you'll soon be, you're taking all on, going where you should

about

Our 2nd album

credits

released April 17, 2007

Produced by Kinematic.
Music & lyrics by Owen/Clarke.
Arrangements by Kinematic.
Engineered & recorded by Kevin Ross.
Recorded at Strawbale Hill (November 2004).
Mixed by Michael Stifter.
Mastered by Lachlan Carrick at Moose Mastering.

Gordon Clarke - Guitars & backing vocals.
Michael Clarke - Bass & backing vocals.
Mark Olszewski - Drums, percussion & loops.
Michael Owen - Vocals, guitars & piano.

Anthony L. Barrett - Keyboards on Celluloid.
Ian Clarke - Congas on 1964.
De Constantine - Backing vocals on Oregon.
Jaime Pitman - Violin on Triage.

Cover art by Heidi Crawford.
Finished art by Gordon Clarke.

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about

Kinematic Melbourne, Australia

We're an unsigned and independent 'Unpop' band from Melbourne, Australia. We've have been making music for a while and it's something we love doing. So far we've released three albums of sonic treats, ranging from acoustic tunes to distortion laced rock, with a whole bunch of pop songs that fall somewhere in between. Free download or donation, oh well, whatever ... thanks for listening. ... more

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